Saturday 22 November 2008

POEMS by Robert Browning

The Bishop Orders His Tomb at Saint Praxed's Church, Rome

Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews--sons mine... ah God, I know not! Well--
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
--Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the aery dome where live
The angels, and a sunbeam's sure to lurk
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh-poured red wine of a mighty pulse.
--Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
--What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find... Ah God, I know not, I!...
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast...
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both His hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black--
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me,
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables... but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me--all of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world--
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
--That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line--
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's-work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
--Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a vizor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To death--ye wish it--God, ye wish it! Stone--
Gritstone, a-crumble! Clammy squares which sweat
As if the corpse they keep were oozing through--
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
--Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers--
Old Gandolf, at me, from his onion-stone,
As still he envied me, so fair she was!

The Lost Leader

I.
Just for a handful of silver he left us,
Just for a riband to stick in his coat---
Found the one gift of which fortune bereft us,
Lost all the others she lets us devote;
They, with the gold to give, doled him out silver,
So much was theirs who so little allowed:
How all our copper had gone for his service!
Rags---were they purple, his heart had been proud!
We that had loved him so, followed him, honoured him,
Lived in his mild and magnificent eye,
Learned his great language, caught his clear accents,
Made him our pattern to live and to die!
Shakespeare was of us, Milton was for us,
Burns, Shelley, were with us,---they watch from their graves!
He alone breaks from the van and the free-men,
---He alone sinks to the rear and the slaves!

II.
We shall march prospering,---not thro' his presence;
Songs may inspirit us,---not from his lyre;
Deeds will be done,---while he boasts his quiescence,
Still bidding crouch whom the rest bade aspire:
Blot out his name, then, record one lost soul more,
One task more declined, one more foot-path untrod,
One more devils'-triumph and sorrow for angels,
One wrong more to man, one more insult to God!
Life's night begins: let him never come back to us!
There would be doubt, hesitation and pain,
Forced praise on our part---the glimmer of twilight,
Never glad confident morning again!
Best fight on well, for we taught him---strike gallantly,
Menace our heart ere we master his own;
Then let him receive the new knowledge and wait us,
Pardoned in heaven, the first by the throne!

Pictor Ignotus

FLORENCE, 15-
1845

I could have painted pictures like that youth's
Ye praise so. How my soul springs up! No bar
Stayed me--ah, thought which saddens while it soothes!
--Never did fate forbid me, star by star,
To outburst on your night with all my gift
Of fires from God: nor would my flesh have shrunk
From seconding my soul, with eyes uplift
And wide to heaven, or, straight like thunder, sunk
To the centre, of an instant; or around
Turned calmly and inquisitive, to scan 10
The license and the limit, space and bound,
Allowed to truth made visible in man.
And, like that youth ye praise so, all I saw,
Over the canvas could my hand have flung,
Each face obedient to its passion's law,
Each passion clear proclaimed without a tongue;
Whether Hope rose at once in all the blood,
A-tiptoe for the blessing of embrace,
Or Rapture drooped the eyes, as when her brood
Pull down the nesting dove's heart to its place; 20
Or Confidence lit swift the forehead up,
And locked the mouth fast, like a castle braved--
0 human faces, hath it spilt, my cup?
What did ye give me that I have not saved?
Nor will I say I have not dreamed (how well!)
Of going--I, in each new picture--forth,
As, making new hearts beat and bosoms swell,
To Pope or Kaiser, East, West, South, or North,
Bound for the calmly-satisfied great State,
Or glad aspiring little burgh, it went, 30
Flowers cast upon the car which bore the freight,
Through old streets named afresh from the event,
Till it reached home, where learned age should greet
My face, and youth, the star not yet distinct
Above his hair, lie learning at my feet!--
Oh, thus to live, I and my picture, linked
With love about, and praise, till life should end,
And then not go to heaven, but linger here,
Here on my earth, earth's every man my friend--
The thought grew frightful, 't was so wildly dear! 40
But a voice changed it. Glimpses of such sights
Have scared me, like the revels through a door
Of some strange house of idols at its rites!
This world seemed not the world it was before:
Mixed with my loving trusting ones, there trooped
. . . Who summoned those cold faces that begun
To press on me and judge me? Though I stooped
Shrinking, as from the soldiery a nun,
They drew me forth, and spite of me . . . enough!
These buy and sell our pictures, take and give, 50
Count them for garniture and household-stuff,
And where they live needs must our pictures live
And see their faces, listen to their prate,
Partakers of their daily pettiness,
Discussed of--"This I love, or this I hate,
This like me more, and this affects me less!"
Wherefore I chose my portion. If at whiles
My heart sinks, as monotonous I paint
These endless cloisters and eternal aisles
With the same series. Virgin, Babe and Saint, 60
With the same cold calm beautiful regard--
At least no merchant traffics in my heart;
The sanctuary's gloom at least shall ward
Vain tongues from where my pictures stand apart;
Only prayer breaks the silence of the shrine
While, blackening in the daily candle-smoke,
They moulder on the damp wall's travertine,
'Mid echoes the light footstep never woke.
So, die my pictures! surely, gently die!
O youth, men praise so--holds their praise its worth? 70
Blown harshly, keeps the trump its golden cry?
Tastes sweet the water with such specks of earth?


Soliloquy of the Spanish Cloister


I
Gr-r-r-there go, my heart's abhorrence!
Water your damned flower-pots, do!
If hate killed men, Brother Lawrence,
God's blood, would not mine kill you!
What? your myrtle-bush wants trimming?
Oh, that rose has prior claims--
Needs its leaden vase filled brimming?
Hell dry you up with its flames!

II
At the meal we sit together:
Salve tibi! I must hear 10
Wise talk of the kind of weather, 10
Sort of season, time of year:
Not a plenteous cork-crop: scarcely
Dare we hope oak-galls, I doubt:
What's the Latin name for "parsley"?
What's the Greek name for Swine's Snout?

III
Whew! We'll have our platter burnished,
Laid with care on our own shelf!
With a fire-new spoon we're furnished,
And a goblet for ourself, 20
Rinsed like something sacrificial
Ere 'tis fit to touch our chaps —
Marked with L. for our initial!
(He-he! There his lily snaps!)

IV
Saint, forsooth! While brown Dolores
Squats outside the Convent bank
With Sanchicha, telling stories,
Steeping tresses in the tank,
Blue-black, lustrous, thick like horsehairs,
— Can't I see his dead eye glow, 30
Bright as 'twere a Barbary corsair's?
(That is, if he'd let it show!)

V
When he finishes refection,
Knife and fork he never lays
Cross-wise, to my recollection,
As I do, in Jesu's praise.
I the Trinity illustrate,
Drinking watered orange-pulp —
In three sips the Arian frustrate
While he drains his at one gulp. 40

VI
Oh, those melons? If he's able
We're to have a feast! so nice!
One goes to the Abbot's table,
All of us eager to get a slice.
How go on your flowers? None double?
Not one fruit-sort can you spy?
Strange! And I, too, at such trouble,
Keep them close-nipped on the sly!

VII
There's a great text in Galatians,
Once you trip on it, entails 50
Twenty-nine distinct damnations,
One sure, if another fails.
If I trip him just a-dying,
Sure of heaven as sure can be,
Spin him round and send him flying
Off to hell, a Manichee?

VIII
Or, my scrofulous French novel,
On grey paper with blunt type!
Simply glance at it, you grovel
Hand and foot in Belial's gripe: 60
If I double down its pages
At the woeful sixteenth print,
When he gathers his greengages,
Ope a sieve and slip it in't?

IX
Or, there's Satan! — one might venture
Pledge one's soul to him, yet leave
Such a flaw in the indenture
As he'd miss it till, past retrieve,
Blasted lay that rose-acacia
We're so proud of! Hy, Zy, Hine . . . 70
'St, there's Vespers! Plena gratia
Ave, Virgo! Gr-r-r — you swine!

Love Among the Ruins

I.
Where the quiet-coloured end of evening smiles,
Miles and miles
On the solitary pastures where our sheep
Half-asleep
Tinkle homeward thro' the twilight, stray or stop
As they crop--
Was the site once of a city great and gay,
(So they say)
Of our country's very capital, its prince
Ages since
Held his court in, gathered councils, wielding far
Peace or war.

II.
Now,--the country does not even boast a tree,
As you see,
To distinguish slopes of verdure, certain rills
From the hills
Intersect and give a name to, (else they run
Into one)
Where the domed and daring palace shot its spires
Up like fires
O'er the hundred-gated circuit of a wall
Bounding all,
Made of marble, men might march on nor be pressed,
Twelve abreast.

III.
And such plenty and perfection, see, of grass
Never was!
Such a carpet as, this summer-time, o'erspreads
And embeds
Every vestige of the city, guessed alone,
Stock or stone--
Where a multitude of men breathed joy and woe
Long ago;
Lust of glory pricked their hearts up, dread of shame
Struck them tame;
And that glory and that shame alike, the gold
Bought and sold.


IV.
Now,--the single little turret that remains
On the plains,
By the caper overrooted, by the gourd
Overscored,
While the patching houseleek's head of blossom winks
Through the chinks--
Marks the basement whence a tower in ancient time
Sprang sublime,
And a burning ring, all round, the chariots traced
As they raced,
And the monarch and his minions and his dames
Viewed the games.

V.
And I know, while thus the quiet-coloured eve
Smiles to leave
To their folding, all our many-tinkling fleece
In such peace,
And the slopes and rills in undistinguished grey
Melt away--
That a girl with eager eyes and yellow hair
Waits me there
In the turret whence the charioteers caught soul
For the goal,
When the king looked, where she looks now, breathless, dumb
Till I come.

VI.
But he looked upon the city, every side,
Far and wide,
All the mountains topped with temples, all the glades'
Colonnades,
All the causeys, bridges, aqueducts,--and then,
All the men!
When I do come, she will speak not, she will stand,
Either hand
On my shoulder, give her eyes the first embrace
Of my face,
Ere we rush, ere we extinguish sight and speech
Each on each.

VII.
In one year they sent a million fighters forth
South and North,
And they built their gods a brazen pillar high
As the sky,
Yet reserved a thousand chariots in full force--
Gold, of course.
Oh heart! oh blood that freezes, blood that burns!
Earth's returns
For whole centuries of folly, noise and sin!
Shut them in,
With their triumphs and their glories and the rest!
Love is best.



Up at a Villa–Down in the City

(As Distinguished by an Italian Person of Quality)

I.

HAD I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II.
Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one’s life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III.
Well now, look at our villa! stuck like the horn of a bull
Just on a mountain-edge as bare as the creature’s skull,
Save a mere shag of a bush with hardly a leaf to pull!
—I scratch my own, sometimes, to see if the hair’s turned wool.

IV.
But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there’s something to take the eye!
Houses in four straight lines, not a single front awry;
You watch who crosses and gossips, who saunters, who hurries by;
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V.
What of a villa? Though winter be over in March by rights,
’Tis May perhaps ere the snow shall have withered well off the heights:
You’ve the brown ploughed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint gray olive-trees.

VI.
Is it better in May, I ask you? You’ve summer all at once;
In a day he leaps complete with a few strong April suns.
’Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.

VII.
Is it ever hot in the square? There’s a fountain to spout and splash!
In the shade it sings and springs: in the shine such foambows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch—fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash.


VIII.
All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like death’s lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.

IX.
Ere you open your eyes in the city, the blessed church-bells begin:
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there’s the travelling doctor gives pills, lets blood, draws teeth;
Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop’s most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke’s!
Or a sonnet with flowery marge, to the Reverend Don So-and-so,
Who is Dante, Boccaccio, Petrarca, Saint Jerome and Cicero,
“And moreover,” (the sonnet goes rhyming,) “the skirts of Saint Paul has reached,
Having preached us those six Lent-lectures more unctuous than ever he preached.”
Noon strikes,—here sweeps the procession! our Lady borne smiling and smart
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang-whang-whang goes the drum, tootle-te-tootle the fife.
No keeping one’s haunches still: it’s the greatest pleasure in life.

X.
But bless you, it’s dear—it’s dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate
It’s a horror to think of. And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still—ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And the penitents dressed in white shirts a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles.
And the Duke’s guard brings up the rear, for the better prevention of scandals:
Bang-whang-whang goes the drum, tootle-te-tootle the fife;
Oh, a day in the city-square, there is no such pleasure in life!



A Woman's Last Word

I.

Let's contend no more, Love,
Strive nor weep:
All be as before, Love,
---Only sleep!

II.

What so wild as words are?
I and thou
In debate, as birds are,
Hawk on bough!

III.

See the creature stalking
While we speak!
Hush and hide the talking,
Cheek on cheek!

IV.

What so false as truth is,
False to thee?
Where the serpent's tooth is
Shun the tree---

V.

Where the apple reddens
Never pry---
Lest we lose our Edens,
Eve and I.

VI.

Be a god and hold me
With a charm!
Be a man and fold me
With thine arm!


VII.

Teach me, only teach, Love
As I ought
I will speak thy speech, Love,
Think thy thought---

VIII.

Meet, if thou require it,
Both demands,
Laying flesh and spirit
In thy hands.

IX.

That shall be to-morrow
Not to-night:
I must bury sorrow
Out of sight:

X

---Must a little weep, Love,
(Foolish me!)
And so fall asleep, Love,
Loved by thee.


"A Toccata of Galuppi's"

I
Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I take your meaning, 'tis with such a heavy mind!

II
Here you come with your old music, and here's all the good it brings.
What, they lived once thus at Venice where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?

III
Ay, because the sea's the street there; and 'tis arched by . . . what you call
. . . Shylock's bridge with houses on it, where they kept the carnival:
I was never out of England — it's as if I saw it all.

IV
Did young people take their pleasure when the sea was warm in May? 10
Balls and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?

V
Was a lady such a lady, cheeks so round and lips so red, —
On her neck the small face buoyant, like a bell-flower on its bed,
OÕer the breast's superb abundance where a man might base his head?

VI
Well, and it was graceful of them — they'd break talk off and afford
— She, to bite her mask's black velvet — he, to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?

VII
What? Those lesser thirds so plaintive, sixths diminished, sigh on sigh
, Told them something? Those suspensions, those solutions — "Must we die?" 20
Those commiserating sevenths — "Life might last! we can but try!

VIII
"Were you happy?" — "Yes." — "And are you still as happy?" — "Yes. And you?"
— "Then, more kisses!" — "Did I stop them, when a million seemed so few?"
Hark, the dominant's persistence till it must be answered to!

IX
So, an octave struck the answer. Oh, they praised you, I dare say!
"Brave Galuppi! that was music! good alike at grave and gay!
"I can always leave off talking when I hear a master play!"

X
Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.

XI
But when I sit down to reason, think to take my stand nor swerve,
While I triumph o'er a secret wrung from nature's close reserve,
In you come with your cold music till I creep thro' every nerve.

XII
Yes, you, like a ghostly cricket, creaking where a house was burned:
"Dust and ashes, dead and done with, Venice spent what Venice earned.
"The soul, doubtless, is immortal — where a soul can be discerned.

XIII
"Yours for instance: you know physics, something of geology,
"Mathematics are your pastime; souls shall rise in their degree;
"Butterflies may dread extinction, — you'll not die, it cannot be!

XIV
"As for Venice and her people, merely born to bloom and drop, 40
"Here on earth they bore their fruitage, mirth and folly were the crop:
"What of soul was left, I wonder, when the kissing had to stop?

XV
"Dust and ashes!" So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too — what's become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.


Love in Life
I.
Room after room,
I hunt the house through
We inhabit together.
Heart, fear nothing, for, heart, thou shalt find her---
Next time, herself!---not the trouble behind her
Left in the curtain, the couch's perfume!
As she brushed it, the cornice-wreath blossomed anew:
Yon looking-glass gleaned at the wave of her feather.

II.
Yet the day wears,
And door succeeds door;
I try the fresh fortune---
Range the wide house from the wing to the centre.
Still the same chance! She goes out as I enter.
Spend my whole day in the quest,---who cares?
But 'tis twilight, you see,---with such suites to explore,
Such closets to search, such alcoves to importune!

Life in a Love

Escape me?
Never
Beloved!
While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth,
While the one eludes, must the other pursue.
My life is a fault at last, I fear:
It seems too much like a fate, indeed!
Though I do my best I shall scarce succeed.
But what if I fail of my purpose here?
It is but to keep the nerves at strain,
To dry one's eyes and laugh at a fall,
And baffled, get up to begin again,
So the chase takes up one's life, that's all.
While, look but once from your farthest bound,
At me so deep in the dust and dark,
No sooner the old hope drops to ground
Than a new one, straight to the selfsame mark,
I shape me
Ever
Removed!

Women and Roses

I dream of a red-rose tree.
And which of its roses three
Is the dearest rose to me?

II.
Round and round, like a dance of snow
In a dazzling drift, as its guardians, go
Floating the women faded for ages,
Sculptured in stone, on the poet's pages.
Then follow women fresh and gay,
Living and loving and loved to-day.
Last, in the rear, flee the multitude of maidens,
Beauties yet unborn. And all, to one cadence,
They circle their rose on my rose tree.

III.
Dear rose, thy term is reached,
Thy leaf hangs loose and bleached:
Bees pass it unimpeached.

IV.
Stay then, stoop, since I cannot climb,
You, great shapes of the antique time!
How shall I fix you, fire you, freeze you,
Break my heart at your feet to please you?
Oh, to possess and be possessed!
Hearts that beat 'neath each pallid breast!
Once but of love, the poesy, the passion,
Drink but once and die!---In vain, the same fashion,
They circle their rose on my rose tree.

V.
Dear rose, thy joy's undimmed,
Thy cup is ruby-rimmed,
Thy cup's heart nectar-brimmed.

VI.
Deep, as drops from a statue's plinth
The bee sucked in by the hyacinth,
So will I bury me while burning,
Quench like him at a plunge my yearning,
Eyes in your eyes, lips on your lips!
Fold me fast where the cincture slips,
Prison all my soul in eternities of pleasure,
Girdle me for once! But no---the old measure,
They circle their rose on my rose tree.

VII.
Dear rose without a thorn,
Thy bud's the babe unborn:
First streak of a new morn.

VIII.
Wings, lend wings for the cold, the clear!
What is far conquers what is near.
Roses will bloom nor want beholders,
Sprung from the dust where our flesh moulders.
What shall arrive with the cycle's change?
A novel grace and a beauty strange.
I will make an Eve, be the artist that began her,
Shaped her to his mind!---Alas! in like manner
They circle their rose on my rose tree.

TWO IN THE CAMPAGNA

I
I WONDER do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

II
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

III
Help me to hold it! First it left
The yellowing fennel, run to seed
There, branching from the brickwork’s cleft,
Some old tomb’s ruin: yonder weed
Took up the floating weft,

IV
Where one small orange cup amassed
Five beetles,—blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
I traced it. Hold it fast!

V
The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air—
Rome’s ghost since her decease.

VI
Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!

VII
How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?

VIII
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O’ the wound, since wound must be?

IX
I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul’s springs,—your part my part
In life, for good and ill.

X
No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul’s warmth,—I pluck the rose
And love it more than tongue can speak—
Then the good minute goes.

XI
Already how am I so far
Out of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?

XII
Just when I seemed about to learn!
Where is the thread now? Off again!
The old trick! Only I discern—
Infinite passion, and the pain
Of finite hearts that yearn.

A Grammarian’s Funeral
Shortly After the Revival of Learning in Europe

--
Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser, 10
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! Yonder sparkle is the citadel's
Circling its summit. 20
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous calm and dead,
Borne on our shoulders.
Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather! 30
He, whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, " New measures, other feet anon!
My dance is finished?" 40
No, that's the world's way: (keep the mountain-side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
"What's in the scroll," quoth he, "thou keepest furled?
Show me their shaping
Theirs who most studied man, the bard and sage,
Give!"--So, he gowned him, 50
Straight got by heart that book to its last page:
Learned, we found him.
Yea, but we found him bald too, eyes like lead,
Accents uncertain:
"Time to taste life," another would have said,
"Up with the curtain!"
This man said rather, "Actual life comes next?
Patience a moment!
Grant I have mastered learning's crabbed text,
Still there's the comment. 60
Let me know all ! Prate not of most or least,
Painful or easy!
Even to the crumbs I'd fain eat up the feast,
Ay, nor feel queasy."
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts--
Fancy the fabric 70
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!
(Here's the town-gate reached: there's the market-place
Gaping before us.)
Yea, this in him was the peculiar grace
(Hearten our chorus!)
That before living he'd learn how to live--
No end to learning:
Earn the means first-God surely will contrive
Use for our earning. 80
Others mistrust and say, "But time escapes:
Live now or never!"
He said, " What's time? Leave Now for dogs and apes!
Man has Forever."
Back to his book then: deeper drooped his head:
Calculus racked him:
Leaden before, his eyes grew dross of lead:
Tussis attacked him.
"Now, master, take a little rest!"--not he!
(Caution redoubled, 90
Step two abreast, the way winds narrowly!)
Not a whit troubled
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.
Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain! 100
Was it not great? did not he throw on God,
(He loves the burthen)
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here,
Paid by instalment.
He ventured neck or nothing-heaven's success
Found, or earth's failure: 110
"Wilt thou trust death or not?" He answered "Yes:
Hence with life's pale lure!"
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding one to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit. 120
That, has the world here-should he need the next,
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, thro' the rattle, parts of speech were rife:
While he could stammer
He settled Hoti's business--let it be!--
Properly based Oun-- 130
Gave us the doctrine of the enclitic De,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know--
Bury this man there? 140
Here--here's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects:
Loftily Iying,
Leave him--still loftier than the world suspects,
Living and dying.


Apparent Failure

"We shall soon lose a celebrated building."
—Paris Newspaper.
No, for I'll save it! Seven years since
I passed through Paris, stopped a day
To see the baptism of your Prince,
Saw, made my bow, and went my way:
Walking the heat and headache off,
I took the Seine-side, you surmise,
Thought of the Congress, Gortschakoff,
Cavour's appeal and Buol's replies,
So sauntered till—what met my eyes?

Only the Doric little Morgue!
The dead-house where you show your drowned:
Petrarch's Vaucluse makes proud the Sorgue,
Your Morgue has made the Seine renowned.
One pays one's debt in such a case;
I plucked up heart and entered,—stalked,
Keeping a tolerable face
Compared with some whose cheeks were chalked:
Let them! No Briton's to be balked!

First came the silent gazers; next,
A screen of glass, we're thankful for;
Last, the sight's self, the sermon's text,
The three men who did most abhor
Their life in Paris yesterday,
So killed themselves: and now, enthroned
Each on his copper couch, they lay
Fronting me, waiting to be owned.
I thought, and think, their sin's atoned.

Poor men, God made, and all for that!
The reverence struck me; o'er each head
Religiously was hung its hat,
Each coat dripped by the owner's bed,
Sacred from touch: each had his berth,
His bounds, his proper place of rest,
Who last night tenanted on earth
Some arch, where twelve such slept abreast,—
Unless the plain asphalt seemed best.

How did it happen, my poor boy?
You wanted to be Buonaparte
And have the Tuileries for toy,
And could not, so it broke your heart?
You, old one by his side, I judge,
Were, red as blood, a socialist,
A leveller! Does the Empire grudge
You've gained what no Republic missed?
Be quiet, and unclench your fist!

And this—why, he was red in vain,
Or black,—poor fellow that is blue!
What fancy was it, turned your brain?
Oh, women were the prize for you!
Money gets women, cards and dice
Get money, and ill-luck gets just
The copper couch and one clear nice
Cool squirt of water o'er your bust,
The right thing to extinguish lust!

It's wiser being good than bad;
It's safer being meek than fierce:
It's fitter being sane than mad.
My own hope is, a sun will pierce
The thickest cloud earth ever stretched;
That, after Last, returns the First,
Tho' a wide compass round be fetched;
That what began best, can't end worst,
Nor what God blessed once, prove accurst.


PROSPICE

EAR death? -- to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe;
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go:
For the journey is done and the summit attained,
And the barriers fall,
Though a battle's to fight ere the guerdon be gained,
The reward of it all.
I was ever a fighter, so -- one fight more,
The best and the last!
I would hate that death bandaged my eyes, and forbore,
And bade me creep past.
No! let me taste the whole of it, fare like my peers
The heroes of old,
Bear the brunt, in a minute pay glad life's arrears
Of pain, darkness and cold.
For sudden the worst turns the best to the brave,
The black minute's at end,
And the elements' rage, the fiend-voices that rave,
Shall dwindle, shall blend,
Shall change, shall become first a peace out of pain,
Then a light, then thy breast,
O thou soul of my soul! I shall clasp thee again,
And with God be the rest!

Dubiety

I WILL be happy if but for once:
Only help me, Autumn weather,
Me and my cares to screen, ensconce
In luxury’s sofa-lap of leather!
Sleep? Nay, comfort—with just a cloud
Suffusing day too clear and bright:
Eve’s essence, the single drop allowed
To sully, like milk, Noon’s water-white.
Let gauziness shade, not shroud,—adjust,
Dim and not deaden,—somehow sheathe
Aught sharp in the rough world’s busy thrust,
If it reach me through dreaming’s vapor-wreath.
Be life so, all things ever the same!
For, what has disarmed the world? Outside,
Quiet and peace: inside, nor blame
Nor want, nor wish whate’er betide.
What is it like that has happened before?
A dream? No dream, more real by much.
A vision? But fanciful days of yore
Brought many: mere musing seems not such.
Perhaps but a memory, after all!
—Of what came once when a woman leant
To feel for my brow where her kiss might fall.
Truth ever, truth only the excellent!